Conflicts and Themes of Godfather Death Essay

Notes adopted from Literature An Introduction to Fiction, Poetry, and Drama and A misfortunately Guide to Writing About Literature Fiction A cook for stories not entirely factual, and at least parti altogethery shaped, grade up, or imagined. Stories can be based on factual secular (I.e., the historical novel) near the factual information is of secondary importance.Ex d unrivalled for(p) with the malarky. Types of FictionFable A brief humbug that sets forth some(prenominal) pointed statement of truth. nearly fables involve animals endowed with human traits of guinea pig and aw beness but do at times involve astronomical bodies and inherent physical forces with character traits as in The North Wind and the Sun. A fable customarily ends by explicitly stating its moral.Ex The North Wind and the Sun (5-6)Parable A brief narrative that teaches a moral, but unlike a fable, its plot is plausibly realistic, and the main characters ar human. The morality of parables are also implied instead of explicitly stated.Ex The Parable of the nigh SamaritanTale A twaddle, unremarkably perfectly, that sets forth strange and wonderful events in much(prenominal) or less bare summary, without detailed character drawing. deuce variations of tales are fairy tales (Snow White and the Seven Dwarfs) or improbable tales (Paul Bunyan and Babe the Blue Ox). Ex God spawn cobblers last (8-10) short- motley Story A prose narrative too brief to be produce in a separate volumeas novellas and novels frequently are. The short story is usually a focused narrative that wassails unrivalled or two main characters involved in a single cause action.Ex A&P (14-9)Novella In new-fashioned terms, a prose narrative longer than a short story but shorter than a novel (approximately 30,000 to 50,000 words). A novella is long enough to be published independently as a brief book. Ex Joseph Conrads Heart of Darkness Susanna Rowsons Charlotte Temple Novel An extended hammer of ficti onal prose narrative. Because of its extended length, a novel usually has to a greater extent characters, much varied scenes, and a broader coverage of time than a short story.Ex The Great GatsbyElements of FictionPlot The particular arrangement of actions, events, and situations that unfold in a narrative. A plot is not merely the general story in a narrative but the authors chaste pattern made from the parts of narrative including the exposition, rising and falling actions, climax, and denouement. unrivaled way to look at the organization of the happenings in m any whole kit and caboodle of fiction is to see the plot as a pyramid or triangle.Freytags Pyramind3. Climax2. rising be activeion 4. Falling Action1. Exposition5. mishap1. Exposition The opening portion that sets the scene (if any), introduces the main characters, tells us what happened onwards the story opened, and provides any background information we need in collection to commiserate and care about the ev ents that follow. Usually introduced to booster rocket (Central character who usually initiates the main action of the story) and antagonist (a character or foe that opposes the antagonist) 2. Rising Action The early happenings, with their increasing tension. Often characterized by suspense (enjoyable solicitude created in the reader by the authors handling of plot) and indicate (suggestions of what is to come later in the story).3. Climax The rising action culminates in a importee of high tension or crisissignals a turn of events point in narrative. (the word climax comes from the Greek word importation ladder) 4. Falling Action What follows the climax or decisive moment and leads to the conclusion or denouement. 5. Denouement A conclusion or resultant that the reader takes to be final. Point of View Refers to the speaker, cashier, persona, or voice created by authors to tell stories, present arguments, and express attitudes and judgments.Types of points of viewParticipatin g First soul fibber (I, me, my, and sometimes we, our, and us)A. A study characterwhitethorn be protagonist as is Huck in Huck FinnB. A minor character may be an ob coiffurer, watching a story unfold thatinvolves person else Nonparticipating Third Person Narrator (she, he, it, they)A. All-knowing or total omniscientthe narrator sees into the minds of all or some characters, moving when necessary from one to another.B. Editorial omniscientthe narrator knows the feelings of the characters, but adds an occasional in mark or opinion about the characters.Ex Godfather destructionC. Impartial omniscientNarrator present s the thoughts and actions of the characters, but does not judge them or comment on them.D. Limited or selective omniscientthe narrator sees by dint of the eyes of a single characterwho may be each a major or minor character.Other characterizations of narratorsA. Innocent narrator or nave narratorusually a character who fails to understand all the implications of the story. Ex Huck FinnHuck accepts without question the morality and honor of slavery he feels guilty for helping Jim, a runaway slave. still far from condemning Huck for his defiance of the lawAll right, therefore, Ill go to Hell, Huck tells himself, deciding against returning Jim to captivitythe author, and the reader, silently applaud.B. undependable narratorthe point of view is from a person who, we perceive, is deceptive, self-deceptive, deluded, or deranged. temperament The verbal representation of a human beingthrough action, speech, description, and commentary, authors delineate characters who are worth caring about, rooting for, and even loving, although there are also characters you may laugh at, dislike, or even hate.A. Types of characters1. Round charactersauthors present enough detail about them to render them, full, lifelike, and memorable. They are dynamic nub they recognize, change with, or adjust to circumstances.Types of round characters1. Hero or heroine2. sp onsor (the first fake)central to the action and moves against the antagonist.3. Antagonist (the opposing actor)a character or force that opposes the protagonist.2. Flat characterscharacters that do not grow but remain the same because they are stupid or insensitive or because they lack the knowledge or penetration. They end where they vex and thus are static, not dynamic.Types of flat characters1. Stock charactersflat characters in standard roles with standard traits. They are representative of their class or group. They go along flat as long as they do no more than perform their roles and exhibit conventional and unindividual traits. When they possess no attitudes except those of their class, they are called stereotype characters because they all seem to engender been cast in the same mold.C. Versimilitude, Probablity, and Reality Characters in fiction should be true to life. Therefore, their actions, statements, and thoughts must all be what human beings are likely to do, sa y, and think under the questions presented in the literary work. Setting Setting is a works natural, manufactured, political, cultural, and laic environment, including everything that characters know and own.A. Three Basic Types of Settinga. Nature and the Outdoorsb. Objects of retrace and Construction (Ex Houses, both interiors and exteriors, park benches, necklacesc. Cultural conditions and assumptions (Ex The cultural picture of an stranded island off the coast of Georgia would be different from the cultural circumstance of Atlanta.B. The Importance of Setting to a Narrativea. A credible setting give wayes literary credibility. One of the major purposes of literary setting is to establish reality or verisimilitude.b. Setting may be a strong pathfinder to characterc. Authors may use setting as an organizing element.i. An author may use setting to organize the work geographically.1. Ex The protagonist may move from an expensive condo in downtown New York city to a cheap apar tment on Long Island. This move suggests not merely the economic fall off of the protagonist but the social decline as well.ii. Another organizational application of egress, time, and object is the framing or enclosing setting, whereby a work begins and ends with descriptions of the same scene, thus forming a public figure or an enclosure. (Ex O Brother, Where Art Thou?)d. Setting may serve as literary symbols.e. Setting may be used to establish a works atmosphere.i. Setting helps to create an atmosphere or inclination, which refers to an enveloping or permeating emotional texture within a work.1. Ex Descriptions of bright alter (red, orange, yellow) may contribute to a mood of happiness. The contrast of such bright colors with darkness and dark colors may invoke gloom or augment hysteria. Tone analogous to tone in poetry, tone in fiction is the authors attitude toward the subject being discussed. The authors choice of enunciation (choice of words), details, characters, even ts, and situations lead us to infer his or her attitude.A. Irony When an author says one thing but means quite the opposite.a. Verbal Irony Most familiar form of ironywe understand the speakers meat to be far from the usual meaning of the words. Ex Oh, sure, I just love to overhear four papers fall due on the same day. Often verbal irony is in the form of bantersour statements tinged with mockery.b. Irony of Fate or Cosmic Irony proposition that some malicious fate (or other spirit in the universe) is advisedly frustrating human efforts. Theme Like other forms of literature, theme in fiction simply refers to whatever general idea or insight the entire story reveals.A. The following questions can help you determine theme(s) in a narrative and organize those themes into statementsa. Look back at the appellation of the story. From what youve read, what does it indicate?b. Does the main character in any way change in the story? Does this character arrive at any ultimate cred it or understanding? Are you left with any realization or understanding you did not have before?c. Does the author make any general observations about life or human spirit? Do the characters make any? (Caution Characters now and again will babble opinions with which the reader is not necessarily supposed to agree.)d. Does the story contain any especially curious objects, any flat characters, significant animals, repeated names, yell titles, or whatever that hint toward larger meanings than such things usually have? In literary stories, such symbols may point to central themes.e. When you have worded your statement of theme, have you cast into general language, not just minded(p) a plot summary?f. Does your statement hold true for the story as a whole? Symbol In literature, a person, place or thing that suggests meanings beyond its literal sense. Symbols usually contain quadruplicate meanings and associations.A. Exa. In Herman Melvilles Moby-Dick, the great white whale is more t han a literal dictionary-definition meaning of an aquatic mammal. The great white whale, as the story unfolds, comes to imply an amplitude of meanings among them the forces of nature and the whole created universe.b. Also in A Rose for Emily, Miss Emilys invisible watch go at the end of a golden chain not only indicates the passage of time, but suggests that time passes without even being noticed by the watchs owner, and the golden chain carries suggestions of wealth and authority.B. Symbolic Act A gesture with larger significance than usual.a. Ex For the boys father in Barn Burning, the act of destroying a barn is no mere act of spite, but an expression of his profound hatred for anything not belonging to him.Character Analysis on the Conflicts and Themes of Godfather Death Summary, Characters, Conflict and Themes of Godfather Death1. Give a Brief summary of the work using specialised names, detail, and examples.In the story Godfather Death there is a father who has twelve n ipperren and then has another his ordinal child, but he cannot afford this child. The father then decides to find the most suitable godfather for his thirteenth child. The father passes up the good lord and the devil his reasoning being that death is gibe and does not discriminate between people. Death gives the child a endow for his baptism his gift is the ability to heal the sick as long as death is at their head if he was at their feet the person was to die.The sterilize currently became famous and was well known through the country. The touch soon found out the king was ill and when he approached him Death was at his feet, so the doc switched the kings position so that Death was at the kings head. Death was upset at the set ups actions and warned him not to do it again. Well, the doctor disobeyed Death once more and this time Death said he must pay. Death took him to his cavern out which had candles lining the walls, on the way down the doctor asked what the candles where for and death replied that they are peoples lives. Death showed the doctor his candle and it was almost out, so he doctor tried to convince him to let him live but death tricked him and put his candle out.2. List the names of the protagonist and major Characters and give a description of each using specific details in your discussion.The major characters in the short story Godfather Death are the doctor and Death. The doctor is the son of a man who had twelve children before him and he is the thirteenth and the father cannot afford to keep him. The doctors father then tries to find the most suitable godfather for the child and he decides to give the child to death. Death is also a main character in the short story. Death is the godfather of the doctor he is a slim man that has a bony appearance. The godfather is a very